Emily Clark _ Artist, Writer, Curator
b.1966
Qualifications
2003-2005 MA Visual Criticism
California College of the Arts, San Francisco, USA
1999-2002 BA Hons Art and Aesthetics
University of Wales Institute, Cardiff, Wales, UK
1996-1997 National Diploma Foundation in Art and Design
Filton College, Bristol, UK
1994-1995 NVQ Video Production and Office Skills
HTV Community Unit, Bristol, UK
Exhibitions
2005 Postcard (group show) Playspace, 8th Street, San Francisco, US
2002 Cardiac Productions (degree show) UWIC, Cardiff, UK
2001 I Love Not being You (group show) Tactile Bosch, Cardiff, UK
2001 Table (group show) Southville Centre, Bristol, UK
1998 Chick on a Bike (open studios)BICA, Bristol, UK
1998 Rock and Roll (collaboration) Fat Stoogie Gallery, Bristol, UK
1997 Straight Women Must Stop Falling for Me, (open studios)BICA, Bristol, UK
'96- '97 A Situationist in Seattle (art action), Seattle, USA
1996 Candy Miller- Recent Paintings (collaboration) Prema Arts Centre, Glos.,UK
1995 ajar (group show) Konicus Gallery, Bristol, UK
1995 Are you a Cowboy or an Indian (open studios) BICA, Bristol, UK
Facilitated/Curated
2005 Chrome County, (Co-curated with Rachel Weeks, Elliott Lessing) Pawnbrokers Gallery, San Francisco, USA
1999 Phantom Twin by Rebecca Stevenson, Fat Stoogie Gallery, Bristol, UK
1997-2000 Fat Stoogie Gallery, Bristol, UK
Published Critical Writing
2005 Artists use Medical Imaging Technology. What of I.T.?
www.sites.cca.edu/sightlines/2005/eclark_bio.html
2005 Ågand now they aren't , but they areÅh at the Gregory Lind Gallery
Mesh magazine #2.2 www.meshsf.com
2005 Repair Work (on the art of Claudia Tennyson)
Southern Exposure Catalogue, no.1
2005 Aaron Parazette and Sharon Englestein: Conversagence
ARTL!ES #44 Fall 2005
2004 Lordy Rodriguez: New States
ARTL!ES #43 Summer 2004
Teaching Experience and Workshops
Fall Semester 2005 Teaching Assistant, Undergraduate Social Studies, Queer Attractors, Dr. Ignacio Valero, CCA
Spring Semester 2004 Teaching Assistant, Undergraduate History of Sculpture, Professor Lydia Matthews, CCA
July'98-Sept'98 Art Work shop Co-ordinator, Jamaica Street Hostel, I Kingsdown Parade, St Paul's, Bristol
July'99-Aug'99 Teacher, Desktop Publishing Summer School, Filton College, Filton, Bristol (Adobe Photoshop, Coreldraw, Word Perfect)
Employment _ Voluntary/Permanent/Temporary
October 2005 Assistant to Exhibiting Artist, International Actual Art Convention _ Art Caucasus, Tibilisi, Georgia
June 2002 Factory Operator, Travail Employment Group, Bristol
1998-2001 Gallery Manager, Fat Stoogie Gallery, Bristol
Dec'98-April'99 Casework Assistant, English Heritage, Bristol
Sept'98-Dec'98 Telephone Sales Operative, Everest Windows, Bristol
1989-1995 Assistant Exhibitions Officer, Gallery Assistant, Bookshop Assistant, Front of House Receptionist, Arnolfini, Bristol
1995-2000 Management Committee, Classical Marquee Co-ordinator, Disabled Services Co-ordinator, Bristol Community Festival, Bristol
2001 Research Assistant, PhD Thesis for Dr.John McNorton, RCA, London
1994-1998 Box Office Manager, The Comedy Box, Bristol
July-Sept'96 Gallery Manager, Edinburgh Festival - Overseas League, Edinburgh
1993-1995 Project Worker/Fund-raiser, Action Aid, Bristol
1991-1993 Telephone Sales Operator, British Telecom, Bristol
1990-1992 Assistant to the Director, British Short Film Festival,London
Conferences and Symposia
Sept 2007 SoFA Postgraduate Symposium, Massey University, New Zealand
Paper delivered: A Study into the use of Medical Imaging Technologies by Artists and the Medical Profession for Picturing
the Somatic
April 2007 Somatechnics Conference, Sydney, Australia
Paper delivered: Mind the Gap _ Artists use of medical imaging technologies and the implications in picturing the somatic
Chair:Symbiotics seminar
May 2005 Visual Criticism Symposium, California College of Art, San Francisco
Paper delivered: In (Visible Passed) - Artists use Medical Imaging Technology. What of I.T.?
No comments:
Post a Comment